Just thought I’d share kind of a “sentiment of the day” type of card. And it may just be the right sentiment for you, if you’re looking for some reflective card decorations this Lent.
Creative notes:
I sprayed my own background with Distress Spray Stain and Distress Oxide Spray, both by Tim holtz.
I matted a coloured card base with the background
I used the Artsy Stems die-set for the flowers, by Tim Holtz for Sizzix
I die-cut the flowers from some design paper
I coloured a chipboard sentiment piece and added it to the card
Design paper die-cuts on a handmade ink-sprayed backgroundThe sentiment of the day
In 2020 Tim Holtz started his so-called Colorize series of dies with Sizzix. These Colorize dies are meant for you to add layers of color to your diecut image, each layer being its own color.
It was quite the ingenious system, for each set of die parts comes with its own color code. For example, everything with code “1” should be dark brown, each “2” should be blue etc., helping you as a maker to put together the elaborately layered die-cut image designs.
I think the very first one of these was Arthur, the purple owl.
I have thus far crafted one owl-on-a-branch project, and I gave it my own twist of course: instead of using differently colored pieces of cardstock, I sprayed my own backgrounds on mixed media heavy stock and die-cut my pieces from those.
I actually made this project two years ago, in August 2020, but I just now realized I had never actually shared it on my blog! So, here we go, with a step-by-step semi-tutorial on how I made my card with Arthur, the purple marbled pink owl.
1. Made the building blocks: created enough inked/sprayed/painted backgrounds for the project, in the colors I wanted.
2. Embossed a wood pattern on the bark-colored one.
3.Die-cut the branches – which now also had some nice texture, thanks to the embossing.
4. Die-cut the owl pieces from the other papers, and sorted them according to the Sizzix color-coding. Although I made my own colors, the coding still helped me to know which pieces belonged together.
5. Chose some chipboard sentiment pieces and colored them.
6. Made a card background. It started as an abstract piece but then it became a moonlit landscape of sorts.
7. Following Sizzix’ color-coding, I glued each layer of the owl image to the background. Sizzix also has very clear video tutorial shorts on Youtube for each of their Colorize dies btw. I’ll embed the one for Arthur below these pictures.
8. Glued the piece to a black background, added the chipboard sentiment pieces and applied some liquid pearl along the edges.
Done!
I have to say it was a fun project, and the detail these dies provide by way of the ever-smaller layers is very cleverly designed. Look at those tiny claw pieces!
So yeah, I’ll have me some more of these Colorize dies by Tim Holtz for Sizzix and see what fun they’ll bring!
What about you, have you tried any of the Colorize die sets? Leave a comment and let me know!
In very busy times like these I don’t find much time to craft, let alone many hours continuously. Nevertheless, a girl still needs her cards to send to her friends & extended family! So, here’s six card ideas, all of which are very easy to make and which take up relatively little of your precious time.
Enjoy the video, and don’t forget to like this post and/or leave a comment! 😃
Tip: You don’t always need to create a full-blown birthday card, a nice tag will go a long way too – especially when added to a gift to carry your birthday wishes.
Here’s an easy little gift tag and the steps to create it. I designed it to go with some birthday flowers for a friend.
I chose a cutapart from Stamperia’s Time is an Illusion collection;
Layered a second cutapart on top;
stamped some butterflies;
added a ribbon on top;
added a Tim Holtz quote chip, after using some Distress Mica Sprays to grunge it up a bit.
Recently I bought two of the Sydney Grace x Temptalia eyeshadow palettes, and found the packaging so lovely that I couldn’t bring myself to simply get rid of those wondrous sleeves, never to be seen again.
So, I turned them into a tea gift booklet, that I sent out to my friend. And let me tell you, that re-purposing was far more satisfying than simply throwing them out. 🙂
I didn’t use any design paper this time, just the two sleeves. For the inside and the two tiny booklets, I made my own mixed media background, using Tim Holtz’s spray and oxide inks.
In the below video I’m sharing this tea gift project, and the steps to create it. Enjoy!
The eyeshadow palettes of which I used the packaging: Sydney Grace x Temptalia
There are of course hundreds (probably thousands even) of different design paper collections on the market. Still, sometimes you feel you’re in need of another sheet of a particular color scheme to really perfect your project. You could of course purchase (or shop your stash) for a sheet from another collection but: you did you realize you can also create your own? And I don’t mean by becoming a graphic designer yourself and printing some cool computer-generated design you came up with.
No, I mean by applying some very easy mixed media techniques. Here’s how.
Ink, paint or spray a piece of white paper that is suitable for mixed media (so no printer or copy paper please; you can use actual mixed media paper, or paper meant for water painting). Spread several colors randomly; make sure the colors coordinate with the design paper collection you’re using for your project. A stencil can add some fun patterns to the mix.
2. If you want, you can even print an image – or in my case a graffiti-style initial – on your colored paper. Wait until everything is dry though, before you run it through your printer.
3. Add some stamping. You can choose actual images, or just some random patterns. Use an oil-based ink like Archival ink, to make sure your stamping ink does not react to the other mediums you’ve used so far.
4. Add some texture with texture paste. I used Tim Holtz’s Distress Grit paste because that is translucent (so the inking underneath will show through) plus it’s heat-stable so you can emboss it. Which is exactly what I did after I added the paste: I sprinkled it with different colors of Embossing Glaze (which is a translucent embossing powder), let the texture paste dry, and then embossed it.
5. I (of course) forgot that I needed more than one mat, so I had to repeat steps 1-4 to create a second mat. It would have been easier had I just taken a larger piece of paper, did the mixed media techniques, and only then cut it to size. Oh well.
6. Mat your mini album page! As you can see in the pictures below I made sure to choose colors that would coordinate with the rest of the design paper I used.
Same page, with left-page flap opened. The smaller mixed media strip has turned into a mat for the top pocket.
Want to see the entire album? Check the video in this blog post!
Sometimes, when I order some of my card designs printed, the printing company adds one or two blanks. These are sturdy, completely white cards; they are also coated, for it is a form of photo paper. So it won’t react to mixed media like your usual assortment of craft papers.
I have created a card with such a blank before, using it as an easy base for design paper. You can check out my step-by-step video on that here.
This time however I decided to try out some mixed media techniques to create a card from one of these coated blank photo paper cards. Here’s what I did, and how it worked out.
1. Stamp and color an image
I chose StazOn ink for this, because that is suited especially for smooth, non-porous surfaces – like photo paper. I also colored the stamped image, using Tim Holtz Distress Markers.
In hindsight, that turned out not to be the best combination, for the StazOn ink reacted a little bit to the Distress Markers. So, my tip here is: IF you want to use water-based markers to color your image, then do NOT use an alcohol-based ink to stamp, but an oil-based ink like Archival Ink.
Stamp an image that speaks to you
2. Seal your image
If you’re going to spray a background, you’ll need to seal your colored image first, otherwise it will either run and wick, or it will be covered up by your sprays (depending on the mediums you choose).
I wanted to use Distress Spray Stains, which are water-based, and since I already used Distress Markers to color the image, I knew exactly how to seal it: with Distress Micro Glaze.
Simply dab your finger lightly in the jar, and rub it all over the colored image.
Side note: of course there are several other products on the market to seal your image. For instance, transparent gesso, or mod podge, to name a few. I’m simply mentioning the one I used. #nonspon
3. Spray your inks
Spray your entire card to your heart’s desire. Then remove all of the sprayed inks from your stamped image with a paper towel. Thanks to the Micro Glaze, none of the sprays will stick and will come off easily, without messing up the colors of your image.
Also, because my paper was coated, it didn’t really absorb the inks too well; there were several spots where the ink didn’t take, causing a great bonus effect!
The materials I used
4. Add special effects
I added some transparent medium to create a bit of a glass effect for the glasses: I used Nuvo Crystal Drops for this, but you could use several alternatives, like Glossy Accents, Paper Glaze or any other dimensional transparent medium.
5. Add a sentiment
Last but not least, I stamped a sentiment – this time with Archival Ink (having learned my lesson from step 1).
Alternatively, you could also go dimensional and use wooden or chipboard sentiment pieces.
And done!
Have you ever crafted with coated paper like this? Feel free to ask any questions, or to let me know what you think, below in the comment section!
For all of you who are anything like me and are in dire need of some quick, last-minute Christmas cards, I’m sharing four tips to create them!
In my previous post I already shared a step-by-step on how to make the cards in the above picture.
So to summarize: tip 1 is the regular papercraft way of card-making: create designs from cardstock, then mat each seperate part with design paper.
The next two pictures show tip 2: die-cut a sentiment or an image from specialty paper and stick it onto a mixed media background. Then mat on top of cardstock.
With holographic paperWith glitter paper
Here are the materials I used for both of the above backgrounds:
Tip 3: create a mixed media background, but don’t use it as a background. Instead, die-cut something from it and stick it onto some white cardstock. Clean. Simple. Elegant.
Tip 3: Mixed media die-cut on white cardstock
These are the sprays I used for these:
Tip 4 is of course a mixed media die-cut on a mixed media background. Add some glitter accents if you like.
Bonus tip: if you’re not a mixed media kind of crafter, you can use design paper instead! This will give you the same elegant and sophisticated effect, both on white cardstock and on design paper.
Now off you go, hurry up with those last-minute Christmas cards! 🙂
A relatively quick and easy way to create Christmas cards is using mixed media techniques. For this week’s card I first created an inked background, then I die-cut from other pieces of inked paper. This week I’m sharing step by step how to do it.
Keep in mind that although there are quite a few steps, it all takes very little time. For instance, to create the background, you simply spray some ink and let it dry. If you use a drying tool like Ranger’s heat tool, this will take you about 10 minutes. And so on, and so forth. So enjoy!
Step by step
Create some backgrounds. I used two A5-sized papers and two A6-sized papers, both mixed media cardstock. I used three different sprays in what I felt was a “Christmas color range”, two by Tim Holtz and one by Dylusions.
The technique I use for this is: I spray one piece of cardstock, then press it onto a second piece of cardstock of the same size. You now get a nice blend, get the most out of your inks (it’s used for double the surface area) and a fun bonus is that they are eachother’s mirror images.
A5 size: 15 x 21 cmA6 size: 10.5 x 15 cm
Intermezzo: You can now either go on with the step by step below, or you can layer the smaller cards on top of the larger ones and decorate:
2. Die-cut an image or a large sentiment from one of your inked backgrounds. I used the Layered Pine Trees by Tim Holtz. Play around with the placement of the dies, to get a nice colorplay.
3. Fussy-cut around the edges of one of the holes your die left, to get a bonus decoration.
4. Glue the first die-cut to one of your larger backgrounds to get the placement you like. Then die-cut a sentiment from the same piece of inked background, place it below the decoration (or wherever you like basically 😉 ).
The way I placed the elements, on the right, offers the possibility to now fold my card in half and have a beautifully inked double card.
5. In the end however I decided to simply cut it in half, doubling the number of inked backgrounds I had (I did the same with the other large background).
6. If applicable: layer your elements. Then add glitter to your liking.
7. Glue all elements to your background. You have now created a nice piece to mat onto any cardstock you like.
Done!
If you want to see how I used the other Christmas-colored backgrounds I showed above, check out my next post! 🙂
This week I’m sharing a nice way to color your texture paste with Distress Embossing Glaze – or frankly, any set of colored embossing powders. This technique is demoed by Tim Holtz by the way, on his blog.
First, I created a background with Distress (Spray) Stains and added some splatters with a Distress Oxide spray.
Then I used a stencil to add some texture paste. While the texture paste was still wet, I sprinkled several colors of Distress Embossing Glaze over the tag, and gently tapped underneath to get rid of the excess and at the same time prevent all of the colors mixing together.
The texture paste I used dried opaque white; you’d get even greater effects if you use a translucent paste, together with the Embossing Glaze, because this way your tag would still show some of the background colors through the layer of paste & glaze.
The final step: melt the embossing powders with a heat gun. You now have colored your texture paste!
In my previous video I shared a card with a very large handmade 3D butterfly on the front. Today I’m sharing the steps to create such a decorative element.
First, create a background with any color mediums you like. I used Distress Stains and a Distress Spray Stain by Tim Holtz, in three colors.
Next, enhance the background with some stencil art. I used a Distress Oxide in the same color as one of my sprayed inks, through a mini stencil by Tim Holtz.
Stamp your image onto the background (after it has completely dried) with Archival Ink.
Fussy cut the stamped image.
Don’t forget to color the (still white) back of your butterfly, since we will be folding its wings up! I simply inked it with one color and stencilled over it with another, again using the Distress line.
To add some extra interest I also sprayed the back of the butterfly with some silver, using Distress Mica Spray in Brushed Pewter.
Now your image is ready to be used as a great eyecatcher on your card or art project!
Hope this was useful to you, if so, let me know in the comments!
The two backgrounds I’m sharing today I created with one technique, but with different color schemes, generating a completely different atmosphere.
I added some texture paste through a stencil and let it air-dry for about an hour to make sure it was dry. Then I sprayed with Distress Stains and heat-dried. The next layer consisted of several droplets of Distress Oxide, since I knew Oxide would always dominate dye ink – which I learned from the Tim Holtz demos I watched recently.
What I really like about Ranger’s Texture Paste is that when it’s dry, it reacts to color mediums the same way as paper: it takes color really well, and gives it up when you want to lift it off with a damp paper towel.
I chose a warm autumn palette for the first tag, with Peeled Paint, Twisted Citron and Wild Honey, with some splats of Cracked Pistachio on top.
For the second tag I aimed at a vintage look, using Old Paper, Frayed Burlap, Bundled Sage, and Hickory Smoke, with some drops of Tim Holtz’s latest color Speckled Egg on top. I also sprayed some Brushed Pewter Distress Mica Spray, which is the silver color, over the entire tag once everything else had dried.
The stencils were both by Tim Holtz, one small and one large.
All in all I really liked this technique: it was easy, relatively quick and ideal to create some great looking backgrounds.
