Tip: You don’t always need to create a full-blown birthday card, a nice tag will go a long way too – especially when added to a gift to carry your birthday wishes.
Here’s an easy little gift tag and the steps to create it. I designed it to go with some birthday flowers for a friend.
I chose a cutapart from Stamperia’s Time is an Illusion collection;
Layered a second cutapart on top;
stamped some butterflies;
added a ribbon on top;
added a Tim Holtz quote chip, after using some Distress Mica Sprays to grunge it up a bit.
Did you know that you can use Tim Holtz’s Distress Paint as a resist? To create a mixed media tag, I used this specific technique. I also used clear embossing powder to add a glossy accent – and here are all of the steps to do it!
Step by step
1. STAMP with Distress Paint and/or use a stencil, to add an image or some random patterns. I did both. Use a light color of paint, like white, cream or a very soft pink. Let the paint dry.
Btw, be careful and immediately clean your stamp, for this paint dries quickly and once it dries you won’t be able to get it off your stamp anymore…
2. Color your tag (or any other piece of mixed media cardstock) by blending with different colors of ink. I used both Distress Inks (translucent) and Distress Oxides (opaque). Simply blend right over your patterns – for the paint will act as a resist!
3. Optional: add some extra, subtle background effects by blending through a different stencil.
4. Spray some kind of metal spray to add some sparkle. I used Distress Mica Spray in the color Tarnished Brass.
5. Once everything has properly dried, add a different layer: time for some stamping. Choose one or more images and/or patterns and stamp on top of all the previous layers. First I used a background color of Distress Oxide to add still more interest to the background, this was a script stamp. You can see it on the right side of the tag, on the upper half.
I then stamped the main image in black Archival Ink. This is an oil-based ink, which therefore does not react with or bleed into all of the water-based inks underneath.
6. Pick one or more pieces of your main image that you want to highlight. Cover those fragments with embossing ink – ideally, if you can, use an embossing pen, which gives you maximum control of where you place the embossing ink.
Then take a clear embossing powder and emboss your accent of choice.
Glossy highlight
7. Take some chipboard sentiment pieces and use the same inks to colorize them. Then stick them to your tag.
8. Die-cut a decorative element from metallic paper and add it to the tag. I used Metallic Confections paper by Tim Holtz, but any metallic (or holographic!) paper would do.
Done! Now all that’s left is to tie a piece of string to your tag 🙂
Hope this little step-by-step was helpful! Now go, experiment to your heart’s desire and play with all of the stuff in your stash 🙂 Let me know in the comments if you’re going to try some of the techniques I used here!
If you want still more inspiration, here’s an earlier post where I also used Distress Paint as a resist.
I already knew you could stamp over a painted or inked background. But what if you want to stamp a light color, like white or cream, and you don’t have opaque inks? You could stamp with paint of course, but what if you want that grungy blended color gradient effect? Stamping with (white) paint over an inked background would only give you clear and harsh boundaries between the stamped image and the background.
Fortunately there is a third way, which I’m sharing today in my blog. I got it from one of Tim Holtz’s demos by the way, so check out his blog if you want to see and hear him demo it.
Step by step
Apply a relatively thin acrylic paint to your stamp, like Distress Paint. Or, use some water to thin your regular acrylic paint. Now, be very quick to stamp it onto an empty background tag, because once the paint dries on your stamp, you won’t get the paint off any longer, for it will dry permanent…
Once the paint is dry, ink up your tag with some water-based inks and make an inked background. I picked the six colors of Ranger’s Distress ink you see in the picture above, and used a blending tool. Simply blend over the stamped parts: the paint will work as a resist for water-based inks, so your stamped image will appear through the ink! This works particularly well with darker colors of ink.
3. Now you can use regular ink, like some Archival ink, in a darker color to stamp other images over your background.
In the top right corner you can see I used cream-colored Distress paint, but this time not on a stamp but through a stencil. This gives the same resist effect when you ink over it with water-based inks. I even used water-based ink through an alphabet stencil over it, and the paint resisted that too.
The Archival ink I used for the large typewriter-script stamp on the other hand is oil-based, so it did cover the Distress Paint. This is a great and easy way to play around with layers of colors and patterns and add some extra dimension.
Alphabet stencil: water-based ink is resisted by the cream-colored paint, so diamond pattern still on top. Script stamp: oil-based ink covers everything, and is NOT resisted by paint, so diamond pattern is covered by the script pattern.
Below is the end result I reached – for now; some day I may add a sentiment or die-cut or some dimensional decorative element, should I decide I’m going to use it as a card and send it out. But for now I’m very pleased with it as is!
This week I’m sharing a nice way to color your texture paste with Distress Embossing Glaze – or frankly, any set of colored embossing powders. This technique is demoed by Tim Holtz by the way, on his blog.
First, I created a background with Distress (Spray) Stains and added some splatters with a Distress Oxide spray.
Then I used a stencil to add some texture paste. While the texture paste was still wet, I sprinkled several colors of Distress Embossing Glaze over the tag, and gently tapped underneath to get rid of the excess and at the same time prevent all of the colors mixing together.
The texture paste I used dried opaque white; you’d get even greater effects if you use a translucent paste, together with the Embossing Glaze, because this way your tag would still show some of the background colors through the layer of paste & glaze.
The final step: melt the embossing powders with a heat gun. You now have colored your texture paste!
Continuing with my experiment of spraying Color Bloom mica sprays on black, I took a different stencil, cut a large tag in half and sprayed with three colors on the first half.
This left a lot of ink on the stencil of course, so I turned the stencil upside down and laid it onto the other (clean) half of my tag. Then pressed firmly with a piece of paper towel to immediately catch all of the ink leaking through, and lifted the stencil.
Top: monoprinting; Bottom: regular stencilling
The effects were different when I tried a different stencil! With the first, the stencilled half was clear, and the monoprinted half more murky. With the second, it was the other way around! I think the type of pattern had something to do with it; the second was more intricate than the first.
Top: monoprinting; Bottom: regular stencilling
These are still only backgrounds of course, we’ll find out what use I’ll find for them in some future moment. 🙂
The difference between a mask and a stencil is, in my own words, that one is the ‘negative’ of the other. What is blocked by one, is open in the other. Both have their merits and advantages of course, and since I had never tried a mask before, I was curious about its effects.
I only have one large masking stencil in my possession at the moment, and it is one by Studiolight. It is large enough for an A4 (or US Letter) size, which also makes it perfect for the giant #12 craft tags by Ranger.
My craft tags were black, and I already knew from an earlier experiment that the Distress Oxide colors by Tim Holtz were not my preferred sprays when used on black. They show up quite clearly, but they seem to loose much of their actual colors and everything turns a very pale pastel.
So, I dove into my stash to see what else I might use, and rediscovered my Color Bloom sprays by Prima Marketing. These are inks with mica-based dye, so they not only show up on black, but add some nice shimmer as well. And although there was some loss of color here as well, it didn’t bother me as much, thanks to the nice metal sparkle the mica brings.
For my masked tag I chose the most industrial colors I could find in my stash; which weren’t many for I only have about 7 or 8 sprays. So I chose three shades of purple and one bronze. The effect was stunning, better than I had thought! And on a black substrate an industrial-themed mask is of course perfect, since its pattern will show up in black.
The most important disadvantage to the Color Bloom sprays is their price – as far as I have seen these are the most expensive on the (craft) market. A second, minor issue I have with them is their enormous nozzle, which makes them ridiculously difficult to store in any kind of efficient way. They just take up too much room. However, this is only a small point, I would definitely buy some more – except they’re not being produced anymore! I don’t know why but Prima Marketing seems to have quit this product line; perhaps they didn’t sell as well as they hoped.
However, I’ll definitely keep using the Color Blooms I already have, every time I want to spray something onto a black base!
In fact, I’ll show you another Color Bloom experiment next time, when I try my hand at some monoprinting! 🙂
In one of my previous blog posts I showed you some backgrounds with Ranger’s Texture Paste, which dries white and matte, and is porous like paper. Ranger also has a Transparent Texture Paste, which has some significantly different properties.
By the way, both of these pastes have now been rebranded as a Tim Holtz Distress Texture Paste, in case you’d like to go shop for them.
Properties of Transparent Texture Paste (Ranger/Distress)
This paste has a lower viscosity (it’s thinner and not as ‘pasty’ as the regular texture paste) and though it’s semi-opaque when you apply it, it will dry completely clear. Also, it will dry glossy, and is not porous at all. So in fact it will act as a resist, instead of taking color like the regular paste does.
This gives you the opportunity to apply texture but with different techniques, compared to the regular Texture Paste by Ranger.
Technique: Transparent Texture Pasteas a color sealer
I created an Indian summer-themed background with this transparent glossy paste, using the following steps:
Ink up the entire tag with four different colors of Distress Stain – I did use the dabbers this time, instead of spraying the Stains by pouring them into spray bottles;
Place the tag upright and spray generously with water, almost drenching it, to get a heavy flow of color going from top to bottom. Then heat dry.
3. Apply Transparent Texture Paste through a stencil, and let air-dry for a couple of hours (drying time could probably be shorter but I wanted to make sure).
4. Since everything underneath the Transparent Texture Paste was now sealed, I could spray anything over it. So I sprayed it with two of the same colors of my palette, but this time with Distress Oxide Sprays: Oxides always dominate dye inks – except where the dyes have been sealed.
Using a splatter box whenever you spray a color medium prevents a lot of cleaning duty…
5. So I removed the Oxide from the textured leaf pattern with a damp cloth, revealing the leaves in bright dye colors, in the midst of a now more chalky colored background.
Because I used the same color palette in Oxide, the effect was subtle. You can imagine completely different effects if you use more contrasting colors, or even black!
All in all I like the ‘seal-in’ effect this transparent paste brings; however, if you were to apply it to uncolored paper, you’d never be able to color it afterward, since it’s a resist. Something to think about, and especially: play around with!
The two backgrounds I’m sharing today I created with one technique, but with different color schemes, generating a completely different atmosphere.
I added some texture paste through a stencil and let it air-dry for about an hour to make sure it was dry. Then I sprayed with Distress Stains and heat-dried. The next layer consisted of several droplets of Distress Oxide, since I knew Oxide would always dominate dye ink – which I learned from the Tim Holtz demos I watched recently.
What I really like about Ranger’s Texture Paste is that when it’s dry, it reacts to color mediums the same way as paper: it takes color really well, and gives it up when you want to lift it off with a damp paper towel.
I chose a warm autumn palette for the first tag, with Peeled Paint, Twisted Citron and Wild Honey, with some splats of Cracked Pistachio on top.
For the second tag I aimed at a vintage look, using Old Paper, Frayed Burlap, Bundled Sage, and Hickory Smoke, with some drops of Tim Holtz’s latest color Speckled Egg on top. I also sprayed some Brushed Pewter Distress Mica Spray, which is the silver color, over the entire tag once everything else had dried.
The stencils were both by Tim Holtz, one small and one large.
All in all I really liked this technique: it was easy, relatively quick and ideal to create some great looking backgrounds.
So yesterday I kicked off my new blog category, Mixed Media. Many of those will be blog exclusive, so no video. But, you will get clear pictures and descriptions of what I did and which products I used.
These two art backgrounds are Distress Tags by Tim Holtz (for Ranger), a mixed media heavy stock. For the first, I started with one of Tim Holtz’s stencils and gently dabbed some Distress Micro glaze through it in two spots, quite randomly. Micro glaze will work as a resist. So when I sprayed three colors of distress stain (the first three in the picture) over it, the stencil’s dotted pattern showed up white.
By the way, you may notice that there are hardly any actual spray bottles in the picture; that is because my main stash of Stains consists of the earlier Distress Stains, which were dabber bottles. So I removed the dabbers and poured some of the Stain in small empty spray bottles I had bought at the dollar store – turning them into Distress Spray Stains quite easily 🙂
So I went along and I placed a second stencil (the smaller one on the right) and sprayed the blue Distress Stain, some purple and the Distress Oxide spray through it. This gave a subtle floral effect. Micro Glaze will take a bit of color after you heat(-dry) it, which is why several of the dots in the end were colored after all.
For the second tag I used the same technique, but with only one stencil and with slightly different colors.
That concluded round 1, leaving me with two nice base tags. On to round 2 below!
Round 2, resist spray: To prepare for what I’m calling a ‘stencil reverse’ technique, I sprayed both tags with Distress Resist Spray entirely and let them dry.
Round 3, paints: for this ‘stencil reverse’ technique – which I learned by watching one of Tim Holtz’s demos – I covered an area of each tag with Distress Paint. I then placed a stencil over each (wet) area and removed thepaint through the stencil with a damp paper towel – leaving the thin blue lines you see on both tags. With a normal stencil technique these of course would have been masked on your project, but now they are the only lines showing. A great and unexpected technique which may resemble a monoprint but isn’t one!
To add an extra color accent I added some Maya Gold metallic paint in a gorgeous dark purple called Aubergine, using a different stencil for each tag.
I was now ready to declare my two backgrounds finished, but then I noticed a small uncolored spot on the right edge of the left tag, which bugged me to no end. It seemed I had apparently touched the tag there with some Micro Glaze still on my fingers – adding a resist.
So as kind of a PS, I took a Distress Ink pad and blended a whole lot of ink over it so as to force-cover it up. It only partially succeeded of course, because of the resist, but at least the spot didn’t bug me anymore 🙂
Now my backgrounds were truly finished – and ready to be used in some creative way in a future moment!
Spring is coming, and although it’s still howling and storming with raging winds and rain here in the Netherlands, I already pruned my apple & pear trees and the first daffodils are blooming in my garden 🙂
So, time to take my Celebrate Spring collection by Studiolight and create something happily colorful. I created a relatively large tag, using some papers, diecuts and cut-aparts. The butterfly is a Prima butterfly made from white fabric, which I sprayed and inked myself.
Since this tag was going to function as a bookmark, I made sure to keep everything as flat as possible. The only little bit of dimension I used was near the top edge, since that would be sticking out from a book 🙂
And since it would also go with a birthday gift to my friend, I gave it a birthday theme on both sides!
Fancy more of my under-1-hour Quickscrap projects? Click here, where you’ll find them all!
Here’s several ideas for some bookmarks, large & small.
Bookmarks are the ideal quick scrap project: it’s quick, fun and perfect for using up those lovely scraps you have left over from your other projects. Also, they make a great gift, for instance as a companion piece to a novel that you’re gifting someone (or, in my case, a hardcover comic 🙂 ).
These bookmarks have no bulk whatsoever of course, for they have to fit tightly between the pages of your novel. Except for their very top, for that will be the show piece, sticking out above your book 😉
As always, enjoy the video and let me know what you think. Also: like & subscribe 🙂
How about a new category of projects: the ones that take you 30-60 minutes from start to finish, for those unexpected invitations-for-tonight or the little something you want to send someone on impuls. Let’s call those… Quick Scraps!
In fact, I actually created a new blog post category for them, check it out in the Category menu on the home page: if you click on it, you’ll see all of my Quick Scrap projects in one neat list – this will make it easier for you to find some inspiration if you’re in dire need of a quick idea! 😉
And here’s a new one for you: this little project will help you personalize the bunch of flowers you’re giving to someone – by creating your own tag to write a special message for them! It’ll take you 15-30 minutes at the most.
Hope you’ll take some inspiration from the video! – please like/subscribe & leave a comment if you like 🙂
And yes, those were some genuine Dutch tulips 🙂 (with some hyacinths on the side)
